juneteenth
the june nineteenth b-b-bonus this week in outsider art *paid* newsletter
FIND OF THE CENTURY
These playing cards live in my mind rent free, since the day I first laid eyes on them. That would have been at Joshua Lowenfels’s booth at the Outsider Art Fair back in 2023. I had seen them online before attending the fair in New York but to see them in person was something else.
Over one hundred years old, these playing cards are as unique as they are beautiful. I love the idea of asking someone today to make their own playing cards and they then scoff at you and then look back into their phone at some silly video.
But these cards would have been used, over and over again. To pass time, to build community, to share a laugh or to escape. Handmade playing cards have been around for centuries, but these are by far my favorite and I’ll never forget them.
Unfortunately, these are definitely not still available.
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» Bill Traylor «
On this Juneteenth — a now federally recognized holiday in the United States to commemorate the ending of slavery in the United States — meet Bill Traylor.
Let us go back to Alabama in 1853. A Black child born into slavery would grow up to witness the Civil War, Emancipation, Jim Crow, the rise of African American culture in the South and one day becomes one of the most influential artists of the 20th century that no one has ever heard. This is Bill Traylor.
His artwork is not flashy. What would one expect from an eighty-year-old self-taught artist who was for a period of time lived unhoused on the streets of Montgomery, Alabama? Traylor probably wins the award for most museum-goers ever to say, “I could paint that.” But they could not. Only Bill Traylor could.
His artwork is as historically significant as it is uniquely complex. All the hundreds of works that Bill Traylor created tell a story. In only a few short years of creating artwork likely never meant to be seen by anyone, which is why they are nearly all untitled, Bill Traylor is telling not only his story but the story of America. Particularly Black America. A capitalistic and cold, raging and racist, beautifully unforgiving and wild, ever-changing America. That was the 1940s.
A time, a place, a country that was not welcoming to Bill Traylor. One has to wonder if 2024 would be anymore welcoming.
Nevertheless, this country should be forever grateful that we had Bill Traylor and he continues to leave his mark on all of us.